Records Archive - Page 8 of 11

No One

4 track EP featuring Sexton Ming with the kings of garage rock

A Headcoats offshoot from which they released two singles, one on Get Hip (and a UK pressing on Shakin’ Street Records) called ‘Should I Suck Or Should I Blow’ c/w (We’re) Selling Jeans For The U.S.A (GH-155 / Yeah-Hup 022) and this, the second one on Damaged Goods. 1000 copies only. CBS pastiche labels, the […]

Happiest Time Of The Year

DAMGOOD033

This was a lovely split Christmas 7″ from Wat Tyler and Helen Love.

Classy photocopied sleeve in a thin poly bag, it came on two colours, murky green and shitty brown.

Sold out years ago.

Bottle Island

DAMGOOD026

A one off single with the New Bomb Turks which was recorded by and at Billy Childish’s kitchen on the 13th may 1993. A 2 track 7″, a very limited run of about 100 were on yellow vinyl, the rest were black

Joey Ramoney

DAMGOOD027

Helen’s homage to Joey!vFirst pressing of 500 was on green vinyl. Then it was black all the way!

Shirts Off

DAMGOOD023

It’s Armitage Shanks first recordings!

We’d seen the Shanks supporting Thee Headcoats at the St Johns Tavern a few times so a single was inevitable, this turned out to be one of those classic debuts.

Sexless EP

DAMGOOD014P

Picture disc version on DAMGOOD014

We Hate The Fuckin’ NME

DAMGOOD019

Legendary single from Thee Headcoats, which, while being debuted at one of their regular monthly gigs at the St Johns Tavern in Archway, fell upon the ear of one Johnny Cigarettes who was reviewing the gig for the NME who then promptly walked out! The b-side was a cover of the Beatles song ‘Help!’ done […]

You Make Me Dance

DAMGOOD025

Billy Childish’s answer to technology-based dance music. A single sided 12″

No One Has A Future EP

DAMGOOD020

7” ONLY RELEASE FEATURING THE TITLE TRACK FROM THE LP ..CAMELS, SPILLED CORONA AND THE SOUND OF MARIACHI BANDS”. (DAMGOOD LP 21) THE B.SIDE FEATURES 2 LIVE VERSIONS OF TRACKS ALSO FEATURED ON THE LP ABOVE. THE FIRST 1OOO CAME IN BLACK N’ WHITE VINYL. J CHURCH GOT THEIR NAME FROM THE UNDERGROUND LINE IN […]

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